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Orwell (Osmotic / Fellow Traveller, 2016)

Orwell: Ignorance is Strength (Osmotic / Fellow Traveller, 2018)

 

 

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Overall these games are kind of fun, but they're defnitely nowhere near as thought-provoking as they were trying to be.

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Electronic Arts are, as most people who take an interest in the medium of computer games are more or less aware, generally considered to be bad for the industry/art form/whatever it is, in the sense that their marketing division have apparently been beaten about the head regularly with a large blunt object, and their approach to making profits appears to be "buy up smaller development houses and ruin them". For this reason there are some people who decline to give EA any money; I'm not much for absolutes, though. In particular, EA's subscription service is a very rare sign of them doing something fairly new and getting it right - for a £20 annual fee it works out as access to a lot of EA's back catalogue, and various other games, including a lot of indies and the odd AA publisher (there's a lot of Paradox games there, for example) they've licensed for it. It works great, particularly since I wasn't really interested in, say, Bioware's archive to want to buy the games individually, but £20 for access to Andromeda, all the Dragon Age games and Jade Empire is clearly worth it (whether or not I renew this next year is another matter entirely). So now I have 150 or so games I'm trying out from time to time, and I find writing reviews fun, so here we go again...

This is by way of introduction to a series of "things what I played on Origin Access" review posts.

Mass Effect: Andromeda (Bioware/EA, 2016)

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So there you have it - perfectly playable, some of the subplots and missions are even quite compelling, but your enjoyment of the game will be spoiled by a) the fact that you've got to spend a distressingly long amount of time driving a vehicle around a not-particularly-featureful landscape and b) the inability to prevent yourself from realising how dumb it all is while playing it.
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Today was Folk by the Oak (it was also the Evans Cycles Wimpole Hall cyclo-sportive, and at various points I was wondering if it was even possible to try both, but a side strain contracted by walking into a pillar and then going for a run earlier in the week put paid to that plan). Like most festivals, it was fun but exhausting; I saw Leveret (meh), This is the Kit (excellent), Kitty Macfarlane (excellent), Shake the Chains (this year's Nancy Kerr-based Folk by the Oak-sponsored collaboration, about protest songs - a lot of fun and also thought-provoking), Eric Bibb (blues singer is bluesy. Not my thing), Show of Hands (excellent as always, the highlight of the day), Kate Rusby (I like her, but she's not really festival music), Sam Kelly and the Lost Boys (looking increasingly like worthy successors to Bellowhead), and the Levellers (oddly flat by their standards, but still damn good and you can't really go wrong by closing out with What a Beautiful Day and fireworks).

Given that, it would seem sensible to have today's prompt be filled by something I heard today; the prompt is "A song that makes you think about life". There were a fair few of those, for one reason and another - I'd love to answer the prompt with Shake the Chains' There's More to Building Ships, but I can't, because there's no recording of that song publicly available at the moment (the album comes out in September, it's probably worth a look). Show of Hands opened up with Cuthroats, Crooks and Conmen which did make me think about things somewhat, but not really topics I'd normally put under the heading of "life". So I ended up here, a song about the value of life and the consequences of taking it:



(unlike at Folk by the Oak, in this video Mark Chadwick didn't have to interrupt his song to tell some idiots who were getting into a fight in the front rows to knock it off, a fact I mention due to the sheer irony involved).

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